Much like Andreas Feininger, Bloßfeldt was deeply interested in forms and textures that nature uses over and over again, especially at scales not often noticed by the eye. Much like Robert Mapplethorpe, his photos also show a preoccupation for formal elements of beauty, regardless of where they may occur.
If you can find a copy of
Karl Bloßfeldt: Das Fotografische Werk [1981, Schirmer-Mosel
(Munich)] in your library, consider yourself very lucky. It is a stunning
book. Since discovering it (& Bloßfeldt) in January, rarely a
week goes by that I fail to open it and marvel. I have included a few of
the several hundred plates here to whet your
appetite--enjoy!
White bryony tendrils. Bryonia alba. more to come